The last few days, I've been thinking hard about the WIP. I tend to "see" my work as a mini-movie in my head. The nice thing about that is I can rewind or fast forward, freeze frame, etc. With the new book, I don't have a complete film yet, something more of a trailer -- I have the premise and the concept, the opening scenes, some snatches of later scenes. Basically, I have the overall idea of the plot, but not the entire outline. That's not really a problem at this point, because I can write those opening scenes (my normal MO is to write the first 2-3 chapters, then write the synopsis/outline). However . . .
There is that little thing called plot braiding. (Thanks again, Elisabeth, LOL!)
So while thinking about the WIP, I'm focusing on the threads of the plot . . . or should I say "plots"? Because this piece has two external plots, as well as the internal romantic thread. Both external plots are integral to the novel, both involve the main characters, with the conflict of one external thread opening the book and ultimately leading back to the second external thread. (Confused yet? Good, so am I!)
I've begun visualizing my plot as a DNA section rather than a simple braid -- you know how you see those 3-D models of DNA, with the two outside spirals connected and supported by the protein steps? That's what my plot braid looks like in my head. The two external plots are separate, yet joined, and if one is taken away, the entire structure collapses. So as I visualize my movie and get ready to outline, I must explore each step in both plots and how they connect and affect each other.
Is this writing dangerously? Does this show growth as a writer? Or just that I'm a complete idiot?
I really hope it's the former rather than the latter!